- #GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE HOW TO#
- #GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE SERIES#
- #GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE TV#
“Positions” by Ariana Grande – Title sequence in Episode 1Įven from the script, I was like “Josh, this is going to be the song.” He was like, “I don’t know, I think maybe Ariana’s voice is too close to Kristen Bell’s.
#GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE HOW TO#
Josh and I certainly labored over that in terms of how to cut the sequence, because it’s not a huge hook that jumps out at you from the beginning, but then all of the mixers were like, “Oh yeah, this song has been stuck in our heads for a week.” There’s always going to be comparisons to “Young Folks,” so I think that was one of our moments where we had to get out of our heads and stop thinking about what was used in the original opening, because it’s its own separate thing. It feels a lot richer, it feels sophisticated, smart, sexy, fun - even confrontational in a way. But I think the plucking of the strings and the vocal delivery, it just sets the tone.
It’s not a big, in-your-face pop song - it’s a little bit slower tempo and a bit more pensive. But the Hope Tala song is, I think, the perfect song for the opening. It was a huge discussion because, “Young Folks”, was so iconic. “All My Girls Like to Fight” by Hope Tala – Opening song in Episode 1 So that was Anny Colvin and her team at JAX working literally around the clock, texting Frank’s manager, trying to get him to listen to it and approve it because it was such a specific version of it. I know there was some difficulty because it’s basically a trailer-ized, remixed version. I can’t remember how it evolved, but it was basically like, if we keep it in the show it should be in the trailer. Some songs you’re like, “Is this too obvious? Is this too on the nose?” Just because it’s Frank Ocean, I think it really transcends that, and it’s hard to even poke holes in it because it’s just so, so great. It’s just one of those songs that is timeless. This song in particular lives in this kind of unique space of existing within the world of the previous “Gossip Girl” and this one. I think there’s always been wanting to walk this line of making this show its own thing and separate from the original, but also paying homage and respect to the original and having Easter eggs. “Super Rich Kids” by Frank Ocean – Trailer and Episode 1 This interview has been edited and condensed. But the song wasn’t just a commentary on the show’s characters it was also an homage to the original series, which soundtracked an entire Season 6 episode with Ocean’s 2012 album “Channel Orange.” Below, Lowry breaks down the “Super Rich Kids” sync, along with 11 other needle drops from the series’ first four episodes. “The show is so specific tonally and he just captured it, which is not an easy thing to do with something as diverse energy-wise as the show.”įans got a sneak peek at the music for the show with the debut of its first trailer on June 9, which featured the thematically perfect “Super Rich Kids” by Frank Ocean.
“His score is so catchy and melodic and hooky, and I think that it does such a good job of being the bridge between so much of what we’re doing,” Lowry says.
#GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE SERIES#
The show also features a stunning score by Grammy-winning producer Ariel Rechtshaid, without which Lowry says the musical landscape of the series would not be the same. Lowry says during pre-production, he created playlists for each character, as well as soundtracks for certain character dynamics.
The answer was lots of collaboration - particularly between Lowry and showrunner Josh Safran - and lots of playlists. “This show is talking about three different generations of characters, so how do we integrate all of these different tastes and sounds while still making it feel cohesive and timely, but also timeless?”
#GOSSIP GIRL SEASON 6 EPISODE 6 MUSIC FULL DISCLOSURE TV#
Music, film and TV have changed so much and the way people discover music has changed so much,” Lowry tells Variety of taking on the role. “The first ‘Gossip Girl’ did such a great job of integrating all these aspects of pop culture, pop music and indie artists. Now, Rob Lowry - whose previous music supervision credits include “The Bold Type” and horror film “Freaky” - is filling those shoes, and his soundtrack is bound to please viewers from all generations. The music of the original series, which premiered in 2007, helped to bolster the careers of bands like Florence and the Machine and the Kooks and superstars like Lady Gaga and Robyn, thanks to music supe Alexandra Patsavas. Though HBO Max’s “ Gossip Girl” revival series differs from the original in key ways - a more diverse cast, LGBTQ+ storylines, the incorporation of social media - one aspect in which the show stays the same is just how high-priority its soundtrack is.
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